Відео

incredible sonata, awful performance

00:00 Thema 00:52 Var. 1 - Var. 2 03:03 Var. 3 (until 4 bars before next variation) 04:18 Var. 4-8 + 09:07 - Solo piano cadenza 09:40 - Var. 9, 10 + Coda 11:58 - Apotheosis

Gracias por compartir

Absolutely brilliant Ukrainian composer!!!!!!!!!!!!!!

Imma play it! Magnificent piece

Random aksak

Similar vibe of the fugue of Brahms’ Handel variations.

A great piece with an unstoppable drive. Good music always rolls along without stumbling. Sviridov's is exactly like that.

Dear fyrexianoff, How Can I get the score of this gem? I would play it at my piano.

너무 잘하네요 😅

Vivid and sonour music of great azerbaijani composer Fikret Amirov! Thanks!

3:45 a sudden Dies Irae appears!! :D

Some moments remind me a lot of Medtner’s Sonata Tragica!

One of the few excellent Polish piano sonatas of the Romantic Era.

7:11 ja, und das ist sehr sehr sehr und sehr sehr luuuuustig😍😍😍❤

I like this set very much but page 30 is missing from the score. Imslp also have the score but page 30 is missing there also. Do you know where I can get a copy of the missing page?

listen bro you wont believe me but he is my great great great great grandfathher

Just to be sure: Does Scherbakov play the original or the revised version here? -The sheet music, given the date in the beginning, seems to be the original version, and the music+score seem to fit together (at least to me), but still, i'm not sure...

can i find this piece anywhere on spotify?

전반 2분까지는 피아노 솔로곡으로 쳐도 무방할 정도네요.

Far over Johannes Brahms

Why do editors/producers insist on having no time between pieces?

Beautiful playing, soft core tone.

Боже! Как эмоционально и величественно!❤❤❤

based Lutosławski

Great piece, A bit like Poulenc, and other mid-century French composers, Witty, Rhythmic. Jazzy. Makes dissonance fun and easy to take. Never dull or pedantic. Those film scores would be interesting too. A real find!

1:10

Дуже дякую!

Hey, do you still have the sheets for this? tried emailing you but it said the inbox was full and inactive.

love this concerto, especially the beginning

У оркестра и солиста прекрасный ансамбль

Bye For some reason I have a drawing of the same notes in my room

40 seconds in and I'm wondering how the hell I haven't heard of this composer. This piece sounds riveting from the beginning to play.

I fairly dislike Pfitzner's music and this collection delivers so many arguments for my point. His tempo indications and titles are obviously an attempt to elevate this music into some form of lyrical realm and grandeur, just that the music delivers so little of what the words promise that it just falls flat on its face. There is so much time-wasting garbage in these pieces as well. Take the chromatic chain of fourthsixth chords at 0:25 which sounds like the fauxbourdon's disfigured hunchback stepbrother or this ghastly section following, trying to emulate some kind of baroque keybord canon etude of the sort that we also find in Schumann's canon pieces. Just this time twisted into being dull and terrible. The amazing thing is that Pfitzner was so amazingly full of himself, if you ever read something by him, like the editor's note to Marschner's Vamypr, its just unreadable because of all the self-aggrendisement. His political leanings were obviously horrible as well, but that one should be known to most people.

Interesting effort for a pianist, mediocre for a composer. Some ideas are nice but they're not well developed and the writing is repetitive

5:00 loving those bell-like textures, wonderful piece!

Հրաշք

Wow

Magnificent performance ! Thank you for posting this, fyrexianoff. I've been subscribed to your channel for about twelve years, and you never fail to upload great music, great performances, and sometimes obscure gems.

Дякую за чудову зустріч!!!

It sounds like it's just an orchestra of winds and percussion only.

15:49 god-tier sostenuto writing.

Loving the weird tuning in places

Nicely done

Chopin played this when he was nearly eight on Feb 24,1818. This got him noticed by the nobility and established him as a brilliant piano player.

Love the Brucknerian 2/3 3/2 patterns in final movement. An interesting piece overall, curious as to why he decided to include a second, and comparatively uninspired fugue for a third movement.

In 1980 I met the composer Dimitri Kabalebsky on tour with my father Ozan Marsh touring the former USsR. Kabalevsky handed the most recent score of the concerto, “Prague” Concerto #4. He talked at length about Prague and handed out the solo and orchestral score of the concert signed by him. I looked at the score and began to learn it. Concerto #4 was a unique intro to Prague for me, forecasting a seven year residency in which I played Kabalevskys concerto ..being at that time one of the few readings of the piece in Prague at that time (95). Love this piece! I also played this in Chautauqua at the summer music festival summer 1980. I have always loved Kabalevskys music!

Splendid

A String Symphony. Fascinating. Interesting indeed.

Fine use of Pizzacato in strings. Quite a Symphony. Hard to pin down his style in this Symphony.